Mp3 music: Alcazar

Artist: Alcazar: mp3 download    Genre(s):  Dance Other Dance: Pop     Alcazar's discography:      Alcastar    Year: 2005    Tracks: 6      Dancefloor Deluxe [CD 2]    Year: 2004    Tracks: 15      Dancefloor Deluxe [CD 1]    Year: 2004    Tracks: 12      Alcazarized    Year: 2004    Tracks: 14      Casino    Year: 2001    Tracks: 14 Producers Alexander Bass and Anders Hansson teamed up with former solo vocalizer Andreas Lundstedt (born 1972) to meet a club/house-oriented kit. The Swedish dance-pop project was united by Annikafiore (natural 1971), wHO began spill the beans in a female group called Dreamettes, and Tess (born 1970), wHO worked as a backup vocalizer and professional dancer for dissimilar local acts. In 2001, the tierce sign up with BMG to sacking their debut individual called "Flagrant at the Discotheque," with samples from French disco music music prima donna Sheila's "Spacer." Alcazar's debut record album was called Casino and featured their second hit single, "Sexual Garantee."

Luke Fair | Download mp3

Gnarkill

   
Artist: Gnarkill

   Genre(s): 
Retro
   

---

Discography:


   
 Gnarkill

   Year: 2003   
Tracks: 9

---

 

Ne Luumaet

   
Artist: Ne Luumaet

   Genre(s): 
Rock: Punk-Rock
   

---

Discography:


   
 Ne Luumaet and Se on live

   Year: 1998   
Tracks: 39

---

 

Didier Malherbe

   
Artist: Didier Malherbe

   Genre(s): 
Rock
   

---

Discography:


   
 Zeff

   Year: 2005   
Tracks: 10

---

 

No 319: Wild Beasts

Hometown: Kendal via Leeds.

The lineup: Hayden Thorpe (guitar, lead vocals), Tom Fleming (bass, backing vocals), Ben Little (lead guitar), Chris Talbot (drums).

The background: And now for something quite extraordinary. Wild Beasts, who come from Kendal near the Lake District, live in Leeds but sound like Antony Hegarty fronting a group of musicians from Mars or Noel Coward warbling aphorisms as Vampire Weekend jam in the distance. They are not your average thrash-bang-wallop indie band. They pirouette around the sort of reference points that could have resulted in a camp travesty, some sort of mish-mash of music hall and modern rock, but they manage to focus their wilder, beastlier tendencies towards the creation of accessibly alien pop. With Sparks embarking tomorrow night on the first of their 21-album showcases at the Islington Academy in London, Wild Beasts are hardly the only exponents of idiosyncratic, otherwordly pop in town, but it still gladdens the heart that a young four-piece are making the effort to Not Sound Like The Clash.

Mind you, in the YouTube video for their Mika-ishly unmanly single, Assembly, we were dismayed to see the singer wearing a tight-fitting T-shirt and the rest of the band in jeans. Too pedestrian and insufficiently polymorphously perverse, we thought. We were expecting sci-fi burkhas, or Day-Glo robes at the very least. Furthermore, we're concerned that we can still break down the sound and make out what instruments are being played at any given moment - they need an alchemist, not a producer, to transform their base matter, their bass, guitars and drums, into ethereal, liquid pop.

Nevertheless, from what we've heard, Limbo, Panto, the group's debut album, is as far-out and fabulous a collection as we've heard from a British act this year. Recorded in Malmo, Sweden with Tore Johannson at the controls, it features titles such as Vigil For A Fuddy Duddy, The Club Of Fathomless Love, Woebegone Wanderers, She Purred While I Grrred, Brave Bulging Buoyant Clairvoyants and Cheerio Chaps, Cheerio Goodbye. It also has striking falsetto vocals that fall just the right side of comical, music that plays around with form and stretches the shape of the three-minute pop song as far as it will go without snapping into ugly atonality, and lyrics that include, very possibly for the first time, words like 'conundrum' and references to formerly fashionable hair emollients. "We made a conscious effort to be as individual as we could. It came out of a boredom and lack of interest in beer and testosterone rock," these Wild Beasts don't so much roar as whimper theatrically. "It concentrated us like a fruit."

The buzz: "Delightful, romantic, magical and timeless."

The truth: The best New Band Of The Day since White Rabbits or Fleet Foxes.

Most likely to: Set the teeth of Pigeon Detectives fans on edge.

Least likely to: Be invited to Ron and Russell Mael's house for tea.

What to buy: Limbo, Panto is released by Domino on June 16, followed by single The Devil's Crayon.

File next to: Antony & The Johnsons, Associates, Sparks, DeafSchool.

Links: http://www.myspace.com/wildbeasts

Tomorrow's new band: The Japanese Popstars.


See Also

• Primal Scream and Elbow join forces to help new musicians
• Halle Berry engagement reports denied
• Tom Cruise to star in 28th Amendment

Flight of the Conchords

   
Artist: Flight of the Conchords

   Genre(s): 
Trance: Psychedelic
   

---

Discography:


   
 Collection

   Year: 2006   
Tracks: 9

---

New Zealand's self-proclaimed "4th most popular guitar-based digi-bongo acapella-rap-funk-comedy ethnic music duet" got their lead off in Wellington. Bret McKenzie and Jemaine Clement (musician/funnyman and funnyman/musician, severally) started crafting their unique, two-man drollery mélange in 2002, spell the deuce of them were living together at college. Overcome by a dreaming, in which a V shaping of Gibson Flying Vs resembled a gaggle of Concorde airplanes, the band christened themselves Flight of the Conchords and began honing their represent in the local drollery and rock candy clubs about their town in the tardy '90s. By 2002, they could be launch playing such high profile gigs as the Edinburgh Fringe Festival. When they returned to the fest in 2003, they were nominative for the Perrier Award, therefore making them "the near award-winning 4th nearly popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo in New Zealand." Between those gigs, Flight of the Conchords self-released the record album Folk the World and, by 2005, was the bailiwick of a six-part BBC Radio 2 air series -- a largely jury-rigged function in the nervure of Spinal Tap and Tenacious D. Also in 2005, the group landed a billet on HBO's Friday night series 1 Night Stand. In 2006, Clement was featured in a series of humourous commercials for the U.S.-based Outback Steakhouse restaurant chain, and later that class, the band penned a share with U.S. indie imprint Sub Pop. The label released the half-studio, half-live EP The Distant Future a year afterward.





Jerry Alfred and The Medicine Beat

Louis Walsh slams new show Rock Rivals

'X Factor' judge Louis Walsh has blasted the new drama series 'Rock Rivals' for being unrealistic.
Walsh told The Mirror: "There's far more drama on 'The X Factor' in any week than there's likely to be in this whole series."
"I was so excited when I sat down to watch it. I expected it to be great," he said.
"I had spent a whole day on set doing a cameo and they cut me. I was annoyed, but now I've seen it I'm glad that I ended up on the cutting room floor. It could have been so funny and real but it isn't."
Walsh also said that the show didn't show enough of the rivalry that exists between the judges on reality shows.
He said: "They didn't capture the tension and the drama on the show between the judges and the contestants - especially the judges."